Qunfuz

I read at the Edinburgh Book Festival on August 12th. It was a double event, shared between me and Mohammed Hanif, author of the Booker-longlisted novel “A Case of Exploding Mangoes.” Mohammed’s book is a tragi-comic detective story which references Marquez’s “Chronicle of a Death Foretold”; and the murderee is General Zia ul-Haqq. (General Musharraf quivers between impeachment and exile as I type). It was great to meet Mohammed, not least because he knows several of the journalists I used to work with in Pakistan. One evening he cooked me a chilli-rich meal. I hope we meet again.

The death that has hung heaviest over the last week is not Zia’s but Palestinian poet Mahmoud Darwish’s. It was even a death foretold: the Palestine National Theatre was at Edinburgh performing a play based on the Darwish poem “Jiddariyya”, which concerns mortality and the extinction of identity, and which he wrote after heart surgery. It was a new bout of heart surgery which killed him. Such are the Edinburgh crowds that I failed to see the play. I did see Sabry Hafez give a talk on Darwish, and how the extinction of identity is for Palestinians an immediately concrete threat beyond the universal problem of physical death: Darwish was from a family of ‘mutaselaleen’, Palestinians who crept back across the border into ethnically-cleansed Israel in the months following their expulsion in 1948, and as a result his name could not appear on school registers. I wish I’d seen the play. Also sold out was a film on three screens by Iranian director Abbas Kiastorami. It showed, apparently, a Shia passion play, a taaziyeh for the martyrdom of Hussain, performed in an Iranian village.

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