Archive for November 2009
The End of the Arabs?
In 2007 I read Peter W. Galbraith’s “The End of Iraq“, which suggests cutting Iraq into three mini-states, and then responded in two parts. The first part criticises Galbraith’s thesis, and the second part criticises the failures of Arabism. Both are merged below. More recently it has been revealed that Galbraith actually stood to gain financially from the dismantlement of Iraq.
explosion at Baghdad's Mutanabi Street book market
Peter W. Galbraith’s book ‘The End of Iraq’ argues the initially persuasive thesis that Iraqis have already divided themselves into three separate countries roughly corresponding to the Ottoman provinces of Basra (the Shii Arab south), Baghdad (the Sunni Arab centre) and Mosul (the Kurdish north), and that American attempts to keep the country unified are bound to fail. I agree wholeheartedly with Galbraith’s call for America to withdraw from Iraq – America is incapable of stopping the civil war, and is in fact exacerbating it. (update: I stick by this. The civil war has to some extent calmed because of internal Iraqi dynamics, not because of the US ’surge’ – the Sunni forces turned on al-Qaida, and also realised that they had lost the battle for Baghdad and national power. Some groups then allied with the US for a variety of reasons to do with self-preservation). The rest of Galbraith’s argument is much more debatable.
Visiting the Great Satan
Notre Dame University
I’ve never before visited the USA. Like everybody else in the world, I’ve had it come to me. Its approach has been unstoppable, for good and for ill. For good first: the incredible achievement of American prose, which leaves British writing of the last century far behind. I am astounded by Faulkner, Bellow, Updike and Roth (when they’re good), Cheever, Scott Fitzgerald, and now Joshua Ferris. Formulaic Hollywood switches me off, but I can’t get enough Spike Lee or Martin Scorcese. I love Bob Dylan, Public Enemy and Miles Davis, just for starters. Jazz and particularly hip hop are American art forms which have travelled very well indeed. These two came originally from the black poor, and it’s the heterogeneity of America, and the possibility of marginalised genres and people being heard, which is so appealing. America is a continent-sized country of mixed-up Africans, Jews, Italians, Irish, Latinos, French, Wasps, and everyone else. It should be the most globally-minded and tolerant country in the world.
It isn’t of course. A narrow hyper-nationalism, the shaping of public discourse by corporations and lobbies, and a stupifying media and public education system have seen to that. Which brings us to the ill: America’s homogenising rage, which has ravaged first its own main streets (so Naomi Klein says in No Logo) and then the high streets of the world; its humourless TV gum; its advertising culture of false smiles and sugary platitudes; its racism, wars, military bases, aircraft carriers, support for dictators and apartheid regimes. These are the reasons why the US is known in some parts as the Great Satan, standing behind most of the little satans sitting on Asian and African thrones. In Muscat, Damascus, Shiraz and London I’ve met many people who have been made refugees by the USA.
America is the empire, admittedly in decline. In one sense, therefore, I haven’t needed to visit to know it. But last week I visited nevertheless, for a conference at Notre Dame University which I enjoyed very much.
To A Christian Zionist
Update: I wrote this in 2006. If I wrote it today I would do it a little differently. Specifically, I would discuss the pernicious role of the Scofield Bible in perverting protestantism in America. I would discuss the meeting point of Christian Zionism, orientalism and racism in Western cultures. And I would point out that contemporary science has shown us that the direct descendants of the ancient Israelites are the Palestinians, not the Ashkenazi or Berber Jews who have colonised Palestine in recent years. Shlomo Sand’s excellent book The Invention of the Jewish People, reviewed here, summarises the science and undercuts the blood-and-soil aspects of Zionism which are so important to Christian Zionists and their ultimately anti-Semitic agenda.
I have recently been discussing Middle East issues with an American colleague who I would describe as a Christian Zionist. Although I like him personally I find some of his ideas (on Palestinian history, and Lebanon, and the wider Middle East) pretty offensive, and I have told him so. So as not to start an argument, I told him so in writing. He replied, saying that although he disapproves of collective punishment of the Palestinians he believes that the Bible clearly states that the Holy Land belongs to the Jews, and that the rebuilding of Israel prophesied in the Old Testament has happened since 1948. Hmm. My first response is anger. I understand Jews with memories of European anti-Semitism being attracted to Zionism, however wrong I think they are, but Americans? People who are not oppressed, who think Palestine is a Cecil B Demille set, who think real human beings (Arabs) are less important than their own narrow interpretations of scripture. Who think that ethnic cleansing, massacres, and apartheid are supported by God. It makes my blood boil. But I think responding intelligently to this kind of thing is important, because there are millions of Americans (with power) who see the Middle East through a Biblical prism. Anyway, here is my latest letter:
“Israeli Apartheid – A Beginner’s Guide”
settler graffitti in Hebron/al-Khalil
That there are striking parallels between white rule in apartheid South Africa and Zionist rule in Palestine – an analogy made by such mainstream figures as President Jimmy Carter and Archbishop Desmond Tutu – should no longer be controversial. But calling Israeli apartheid by its name will occasion the usual screams of anti-Semitism and ignorance from Zionist quarters, and for comprehensible reasons: the most politically inept American student knows that apartheid is a bad thing, a crime to be battled, not supported with weapons, vetoes in the Security Council and billions of dollars in ‘aid.’ Therefore the apartheid label must be vigorously resisted by Zionists and their fellow travellers.
Ben White’s “Israeli Apartheid – A Beginner’s Guide” begins by quoting Article II of the International Convention on the Suppression and Punishment of the Crime of Apartheid, UN General Assembly Resolution 3068, which defines the crime as “inhuman acts committed for the purpose of establishing and maintaining domination by one racial group of persons over any other racial group of persons and systematically oppressing them.” The rest of White’s book leaves the reader in no doubt that the Zionist instance of apartheid fits the bill even better than the erstwhile South African version.
Islam in the Writing Process
If all goes well I will be at Notre Dame University in the US later this month for a conference on the role of Islam in contemporary European literature. I wrote the piece below for the conference.
Photo by Rehan Jamil
Salman Rushdie once commented that ‘Islam’, in contrast to ‘the West’, is not a narrative civilisation. This, in my opinion, is obvious nonsense. Beyond the fact that human beings are narrative animals, whatever civilisation they live in, and that Islamic civilisation cannot be isolated from, for instance, Christian, Hindu or Arab civilisations, the Muslim world has a history of influential narratives which is second to none. These include Sufi tales, chivalric adventures, fantastical travelogues, romances and spiritual biographies written in several major languages.
Although the Arabic novel is generally considered to have developed in the early twentieth century from the experience of industrial urbanisation and the penetration of European genres and philosophies, Ibn Tufail’s 12th Century “Hayy ibn Yaqzan”, an inspiration for Defoe’s “Robinson Crusoe”, can reasonably stake a claim to being the world’s first novel. The Arabian Nights (via Don Quixote) is surely another source of the European novel tradition. And Islam the religion – as opposed to the even more nebulous ‘civilisation’ – is a text-based faith. The Qur’an is the religion’s only official miracle; the first word revealed to the Prophet was ‘iqra’ – ‘read’. Those who attempt to draw a distinction between literalist scripture and free and playful literature should pay attention to verse 26 of the Qur’an’s second chapter which, immediately after the first description of heaven and hell, proclaims: “Behold, God does not disdain to propound a parable of a gnat, or of something even less than that.” In other words, the Qur’an is a text unashamed to use metaphor, symbol and a whole range of literary devices in order to point to ineffable realities.
Qunfuz 