Thanks to the people at Chatham House who interviewed me and then made this short film.
A very slightly different version of this review was published at the Guardian.
Tahar Ben Jelloun is a Moroccan who has contributed a series of important works to French literature, perhaps foremost amongst them the brilliant ‘non-fiction novel’ of incarceration “This Blinding Absence of Light”. His latest novel, “The Happy Marriage”, bears echoes of Tolstoy’s grim relationship-degeneration tale “Happy Ever After”, but Jelloun’s tale is thrown into question by a counter-narrative.
Our protagonist is semi-paralysed, recovering from a stroke, his face twisted like a Francis Bacon painting. He is a successful artist, a demanding perfectionist who now struggles to move his fingers while watching TV athletics and thinking about tightrope walking. His contextual musings on deterioration and dependency – “When your life is in someone else’s hands, is it still a life?” – form a suitable backdrop to his memories of a two-decade marriage, in Paris and Casablanca, in sickness and health.
Part One (called, with a nod to Truffaut, The Man who Loved Women Too Much) is the artist’s own carefully-crafted account, in third person. The accomplishment of the writing here recalls Philip Roth’s more sober moods, or Saul Bellow’s studies of older men suffering the humiliations of body and soul. The psychological depth, high-cultural detail, sometimes even the dense but fluid prose (ably translated by André Naffis-Sahely) are reminiscent of that American master.
I really enjoyed meeting the Rethink Rebuild Society, organised by Manchester’s very active Syrian community. Orient News did a report (in Arabic), and here it is (thanks Jwan):
The Guardian asked ten Arab writers to reflect on the revolutions five years on (or in). My piece is here below. To read the rest too (including Alaa Abdel Fattah from Egyptian prison, Ahdaf Soueif, and notable others), follow this link.
Five years ago the Guardian asked me to evaluate the effects of the Tunisian uprising on the rest of the Arab world, and specifically Syria. I recognised the country was “by no means exempt from the pan-Arab crisis of unemployment, low wages and the stifling of civil society”, but nevertheless argued that “in the short to medium term, it seems highly unlikely that the Syrian regime will face a Tunisia-style challenge.”
That was published on January 28th. On the same day a Syrian called Hassan Ali Akleh set himself alight in protest against the Assad regime in imitation of Mohamed Bouazizi’s self-immolation in Tunisia. Akleh’s act went largely unremarked, but on February 17th tradesmen at Hareeqa in Damascus responded to police brutality by gathering in their thousands to chant ‘The Syrian People Won’t Be Humiliated’. This was unprecedented. Soon afterwards the Deraa schoolboys were arrested and tortured for writing anti-regime graffiti. When their relatives protested on March 18th, and at least four were killed, the spiralling cycle of funerals, protests and gunfire was unleashed. Syria not only witnessed a revolution, but the most thoroughgoing revolution of all, the one that has created the most promising alternatives, and the one that has been most comprehensively attacked.
And if you follow this link, and listen from 40 minutes till the end, you’ll hear me talking On BBC Radio 4’s ‘The World Tonight’ about Syria’s revolution and war. I was invited because our book Burning Country has been released. It tells the Syrian people’s stories first and foremost, before examining the global responses and results. We feel this drama has been very badly reported in the main, and we hope the book will fill some important gaps. So please read it.
If you follow this link you’ll hear me talking on BBC World Service radio (‘Newshour’) about Syria’s revolutionary councils, decentralisation, refugees, and the ‘peace process’ illusion.
(I made a mistake here. I said Syrians need at least one or two hundred dollars to escape Syria. Slip of the tongue. I should have said they need one or two thousand.)