Robin Yassin-Kassab

Archive for the ‘Critical Muslim’ Category


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I’ve contributed a short story to the latest issue of Critical Muslim, whose theme is Liberty. My copy has just arrived, and it looks very good – there’s Mustafa Akyol’s essay ‘Islam and Freedom’; Vinay Lal’s ‘A Very Short History of Liberty’; an essay on E.M. Forster’s politics; and plenty more. I’m glad to see that Ukraine is prominent. Russia’s invasion, and leftist and rightist responses to the invasion, is the subject of Naomi Foyle’s essay ‘Liberty, Hypocrisy, Neutrality,’ and there’s some great Ukrainian poetry, from Ihor Pavlyuk and Olexander Korotko. You can buy the issue from the publishers, Hurst, here, or from Amazon, etc.

You can also read my story in full on the CM website here.

Written by Robin Yassin-Kassab

June 29, 2022 at 11:37 am

Posted in Critical Muslim

This Body, A History

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There’s an essay of mine in Critical Muslim’s 41st issue. The issue is called Bodies, and my essay is called This Body: A History. It contains an out of body experience, migraines, semen, the Gulf consumerist lifestyle, and the 2004 Indian Ocean Tsunami. Amongst other things. You can buy the issue from the publisher, Hurst, or from Amazon, etc…

As a taster, here are the first four paragraphs:

This may be my very first memory. I’m standing in a square space between four doors – one in front of me, one behind, and one to either side. One by one I close the doors. The shade increases as I go, until, closing the last door, I am enveloped in utter darkness. It’s comfortable and warm. Then I open the doors, one by one, until I’m so bathed in light, so surrounded by space, that I can’t see where my limits end.

I feel this action was often repeated, so for a long time I was sure the memory was a genuine recollection of a game I used to play, but then I interrogated the details. For a start, I remember the door handles being at the level of my waist, where door handles are today, but given my tiny stature at the age of three or four, the handles should have been much higher up. Next, and crucially, there was no space in the house we lived in then that fitted my remembered position between four doors. I’ve checked with my mother, and anyway, what kind of architect would design a room the size of a stand-up coffin?

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Written by Robin Yassin-Kassab

March 12, 2022 at 10:58 am

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If anyone’s been wondering what I’m doing these days, I have an essay in Critical Muslim’s 40th issue which tells you what. The theme of the issue is Biography, and the essay is called Mossland.

It’s about gardening in Galloway, mutual aid, radical agnosticism, a dog called Sudfeh (or ‘coincidence’) and a compost heap, all in the shade of the Syrian disaster.

I recommend the rest of the issue, which marks CM’s 10th anniversary. Highlights include Ziauddin Sardar’s moving tribute to his collaborator Merryl Wynn Davies, writer and proponent of ‘Islamic anthropology’, Taha Kehar’s account of short story writer Aamer Husain, and an excellent polemic on the unexamined legacy of Muhamad Asad, the convert from Judaism who translated the Quran and acted as Pakistan’s first ambassador to the UN, but still suffered anti-semitic slanders from his co-religionists, as well as benefitting from their deference to his ‘whiteness’. Great writing from Boyd Tonkin, intellectual rigour from Faisal Devji, poetry from Ruth Padel. And more.

Here it is at the publisher. Also available from Amazon, etc.

Written by Robin Yassin-Kassab

October 28, 2021 at 12:01 pm

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maghrebLast summer I travelled in Morocco (where I used to live) in order to write an essay for the Maghreb issue of the Critical Muslim, which I also edited. This essay is available in full online (for free). To read the other essays, stories and poems (and there are some truly brilliant ones) you’ll have to buy the issue (available on Amazon) or subscribe. Please support the journal/ magazine by encouraging your local library/ college to subscribe.

Morocco’s Arabic name, ‘al-Maghreb’, emerges from the root gh-r-b, which denotes concepts including the west, distance, and alienation. ‘Ghareeb’ means strange. ‘Ightirab’ means living outside the Arab world, whether in the west or the east. ‘Maghreb’ also means sunset, dusk, the evening prayer, the time at which the daily fast is broken. Al-Maghreb al-Arabi refers to the entire Arab west – Libya, Algeria, Tunisia, Mauritania, the Western Sahara – but Morocco has no other name. It is al-Maghreb al-Aqsa, the furthest west, the strangest.

The ancient Egyptians believed they spent the afterlife wandering ‘the Western Lands’. William Burroughs, who lived in Tangier, wrote a novel inspired by the notion. When I lived in Morocco, teaching English at the turn of the century, a Syrian woman of my acquaintance used to play on the word like this: la tustughreb, anta fil-maghreb or, Don’t be shocked, you’re in Morocco! On this return visit I heard the same phrase from the mouth of a Moroccan man in a train.

But shocked I was, a little bit, twelve years ago.

I’d been living in the mashreq, the Arab east, before I arrived, and (foolishly) I expected the maghreb to be similar. I found a much more liberal place, one much less subject to taboo. For instance, depending on class and region, a Moroccan girl with a boyfriend is not quite the social catastrophe it would be further east. Moroccan sleaze is not hidden away (which is perhaps, overall, a good thing). I once almost pushed my son in his pushchair past men engaged in a sexual act, not in a dark basement but among the trees at the side of a main road. Several times I walked past the same exhibitionist in central Rabat. There were police nearby but they ignored him. And I frequently saw ragged street children sniffing glue-soaked rags, more of a South American scene than an Arab one. (I didn’t see that on this recent trip). In addition to public taboos, Moroccans lack the softness and eloquence, the courtliness, of the eastern Arabs. But they also lack the airs and graces, the intense class resentments, the hypocrisies. You don’t feel everyone is judging everyone else as you can do in the east, at least not in the same way, not to the same extent.

Then there were the contradictions, or perhaps the diversity, better put, of language, ethnicity, culture and, most of all, class. Parts of the big cities were comparable to Europe in their lifestyles and aspirations. Some of my students went to French-language schools, spent their holidays in Europe, and spoke French at home. Meanwhile much of the countryside was consigned to illiteracy and grinding poverty. There was almost no modern infrastructure out there. The people didn’t speak French. Some didn’t speak Arabic either.

I return twelve years later to Rabat, once my home, a handsome capital surrounded by red walls and built in that distinctive architectural style which connects Andalusia to West Africa. Rabat’s ‘new city’ contains tree-lined boulevards, embassies and white villas, and the enormous Makhzen (royal court) compound. The madina al-qadima (old city) and kasbah (fortified settlement) are to the west. A necropolis lies west of the madina. Then comes the beach and its piers, the crab-crawling rocks, and the cold Atlantic. The madina is neither traditional nor modern: it’s contemporary, and Moroccan traditions are an integrated part of contemporary life. The glossy-artisanal rue des Consuls is designed to serve foreigners, in the past and the present, but it’s by no means an over-touristed souq. The flea market in the mellah (what used to be the Jewish quarter) deals in antiques, broken office machines, and books – classics and curiosities in Arabic, French and English.

My visit comes in Ramadan, whose rhythm has overtaken the madina. This means quiet mornings and bustling afternoons. As the maghreb prayer calls, the sunset is dispersed by light Atlantic cloud, then the streets empty and silence reigns while the fast is broken. A fat moon rises. An hour later boys are sitting on the steps of the kasbah beating drums and singing traditional songs, not for show but to amuse themselves. A couple break into dance as they walk past. More drums and picnics down on the beach. The mosques are full (of both men and women) for Ramadan taraweeh prayers, and the markets are crammed until two in the morning.

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Written by Robin Yassin-Kassab

January 5, 2014 at 4:46 pm

Tahrir Square

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Cairo December 2013: "Extermination is a Duty. The Zionist Muslim Brothers are the Jews of Egypt"

Cairo December 2013: “Extermination is a Duty. The Zionist Muslim Brothers are the Jews of Egypt”

Terribly out of date (but it’s a snapshot of a moment so it doesn’t really matter), my 2011 essay on Egypt for Critical Muslim is now online. From today’s perspective March and April 2011 look like a golden age. Who would have predicted the wave of fascism currently overwashing the Sisi junta’s state?

Cairo felt different. Tahreer Square, of course, carried a new set of meanings. The traffic, the pollution, the Stalinist gloom of the Mugamma building – these had shrunk, and revolutionary grafitti, redignified national flags, and the endlessly various Egyptian people now dominated the eye. It didn’t feel the same either to walk over the Qasr el-Nil bridge, not after the glorious battle of January 28th. (I kept trying to work out where the police van was burnt.) And the streets were in fact cleaner, even that, in central Cairo at least. In ritual overcompensation for the years of filth, people had been observed during the revolution’s 18 days scrubbing the pavements with toothbrushes. A man in a café called Ali Jabr explained it to me: “The Egyptians used to hate their country just as they used to hate themselves. Anywhere you went in the world, the people thought the Egyptians were rubbish. And the Egyptians agreed. After the revolution we know we aren’t rubbish, so we pick our rubbish up from the streets.”

You know that something rare and powerful is occurring, something all-encompassing, not limited to a political or intellectual elite, when even a mobile nuts-and-seeds stall has ‘Social Justice’ stenciled on its side.

I visited in late March and early April. My plane to Cairo was a quarter full at best. The airport was almost empty.

The immigration guard peered long at me and asked if I was originally Iranian, prompting me to wonder if anything had changed at all. There were no pictures of Mubarak on the walls. That was a change.

Then the driver who took me into town. He addressed the revolution immediately. “Tell me congratulations!” he grinned. I did so. “We’ve finished with him!” he exulted. “We’re free!” Pictures of some of freedom’s martyrs swung from the rear-view mirror.

I asked who he wanted for president now.

“Whoever proposes the best programme. The personality isn’t important. The ideas are important, the policies. I’ll judge on that.”

Most of Egypt considered itself a potential winner, but the losers were visible too. There was the burnt-out frame of the National Democratic Party headquarters for a start, hulking over the river like a man shamed in the stocks. And the police, who I was told “are sulking.” Certainly fewer patrolled than when I had last been here, and those who did certainly seemed less sure in their swagger, as if they’d recognized themselves at last – poorly trained, underemployed, unloved.

The news on the cab radio as we drove from the airport: the Ministry of the Interior was burning, the fire blamed on police officers protesting outside for a pay rise and the prosecution of their corrupt commanders. But their undeclared demand was for respect. I saw a poster pasted anonymously to Nileside walls pleading for trust to be restored in the police “on the basis of mutual love, not insult… for there are many noble men in the police force.”

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Written by Robin Yassin-Kassab

January 1, 2014 at 11:33 pm

Posted in Critical Muslim, Egypt

Critical Muslim

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I’d like to draw your attention to the Critical Muslim, a new quarterly journal which looks like a book. I co-edit the journal with Ziauddin Sardar, who is perhaps Britain’s most prominent ‘critical Muslim’. The CM is concerned with the politics, economics, culture, law and literature of the Muslim world – and of course the Muslim world today includes locations such as London and Lima. Our writers are convinced and sceptical Muslims, religious and cultural Muslims, and non-Muslims. We publish a range of perspectives, usually but not always with a somewhat leftist leaning. And the CM has a sense of humour.

I’m very proud of the arts section. The first issues include a story by the accomplished British-Pakistani writer Aamer Hussein, poetry and prose from upcoming Iraqi writers (one of whom is the very highly-rated Hassan Blasim), a selection of the Arabic poetry (Qabbani and others) which accompanied the Arab uprisings, essays on the Palestine Literature Festival and the Erbil Literature Festival (in Iraqi Kurdistan), a great story of cross-cultural love (and disappointment) by young British writer Suhel Ahmed, poetry from the great Mimi Khalvati, an essay on Muslim jazz, and much more.

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Written by Robin Yassin-Kassab

April 13, 2012 at 2:14 pm

Posted in Critical Muslim

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