Posts Tagged ‘Suheir Hammad’
The Pen and the Sword
This review was originally published in the indispensable Electronic Intifada.
Edward Said was one of the great public intellectuals of the twentieth century – prolific, polymathic, principled, and always concerned to link theory to practice. Perhaps by virtue of his Palestinian identity, he was never an ivory tower intellectual. He never feared dirtying his hands in the messy, unwritten history of the present moment. Neither was he ever a committed member of a particular camp. Rather he offered a discomfiting, provocative, constantly critical voice. And against the postmodern grain of contemporary academia, his perspective was consistently moral, consistently worried about justice.
Said was primarily a historian of ideas. More precisely, he was interested in ‘discourse’, the stories a society tells itself and by which it (mis)understands itself and others. His landmark book “Orientalism” examined the Western narrative of empire in the Islamic Middle East, as constructed by Flaubert and Renan, Bernard Lewis and CNN. Said’s multi-disciplinary approach, his treatment of poetry, news coverage and colonial administration documents as aspects of one cultural continuum, was hugely influential in academia, helping to spawn a host of ‘postcolonial’ studies. Said’s “Culture and Imperialism” expanded the focus to include Western depictions of India, Africa, the Caribbean and Latin America, and the literary and political ‘replies’ of the colonised.
Bubbling with Energy
An edited version of this article was published in The National.
We entered Palestine from Jordan, across the Allenby Bridge and over the trickle which is what’s left of the diverted, overused, and drought-struck river. The Dead Sea glittered in the hollow to our left. Jericho, the world’s oldest city, shimmered through heat haze to our right. The site where Jesus was baptised was a stone’s throw away. Palestine is most definitely part of bilad ash-Sham, in the same cultural zone as Syria, Lebanon and Jordan, but it is also most definitely like nowhere else on the planet. Suddenly the superlatives were coming thick and fast.
Palestine feels as large as a continent – but one that’s been crushed and folded to fit into the narrow strip of fertile land between the river and the sea. The Jordan Valley depression is the lowest point on earth, part of the Rift Valley which stretches from east Africa, and it’s as hot as the Gulf. But only a few miles up from the yellowed, cratered desert into the green hills before Jerusalem, and the weather is very different. As we left our performance in Ramallah a couple of nights later, gusts of fog blew in on an icy wind. If a Palestinian in the West Bank manages to find an unoccupied hilltop – which isn’t at all easy – he can look all the way to the forbidden Mediterranean, and perhaps he’ll pick out the fields of his ancestral village.
Entering Palestine
I love it when Arab Christians have names like Omar. It shows, on their fathers’ part, a rejection of the sectarianism which cripples us. I know of a Christian family in Beirut which named its eldest son Jihad, and Muslim families with sons called Fidel and Guevara. Omar is not merely a specifically Muslim name; it’s more particularly a Sunni name, disliked by some Shia for theological-historical reasons. Omar is not a good name to have written on your ID card while driving through a Shia-militia-controlled area of Baghdad. But I know an Iraqi Shia woman whose brother is called Omar, because her father rejected the whole sorry sectarian business.
By and large, the Palestinians have avoided the curse. It’s still the case that if you ask a Palestinian whether he’s Muslim or Christian he responds, “Palestinian!” I mention this because our guide from Amman to the Allenby Bridge was a Palestinian Christian called Omar, and because the Palestinians, unlike their enemies, are proud of their diversity and pluralism.
Swaying in the bus aisle, Omar explained that Jordanian officers would check our passports but would not stamp them. “The Jordanian government has recognised Israel, but not Israeli control over the West Bank. Why are there Israeli police on the border and not Palestinians? Jordan recognises this as a crossing, but not a border.”
Suheir Hammad
Suheir Hammad is one of the Palfest participants who deserves a post to herself. A Palestinian-American, Suheir was born to refugee parents in Amman. She spent her first years in civil war Beirut before moving to Brooklyn, where drugs and gang wars raged. She is a poet, prosewriter and actress. Her poetry erases any distance between the personal and political, and is humane, passionate and particular. Greatly influenced in its rhythm, diction and pacing by New York hip hop, it fits snugly into the tradition of Palestinian oral delivery exemplified by the late poet Mahmoud Darwish.
Suheir stars in the film Salt of this Sea, but it is surely time someone directed her in a poetry performance DVD. You have to hear her read to really appreciate what she does. A good place to start is the poem First Writing Since, which concerns 9/11.